Camp Trans

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Camp Trans is an annual demonstration held outside the Michigan Womyn's Music Festival by transsexual women and their allies to protest the Festival's policy of excluding transsexual women from attending.

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[edit] Background

The Music Festival has its roots in lesbian-feminist and lesbian-separatist analysis of patriarchy, and is intended to provide a week-long safe space for attendees to enjoy music created exclusively by womyn, immerse themselves in womyn's culture and celebrate their womynhood in a safe environment without domination, oppression or interference by men. Its primary organizers adhere to a belief that a defining quality of womynhood comes from being born and raised in a female body and that the presence of anyone who has experienced otherwise is inappropriate for maintaining the festival's safe space. The festival has maintained a policy of "womyn-born womyn only" since its inception, which, though not systematically enforced, has become a lightning rod of controversy.

Opponents of the policy argue for a less deterministic understanding of gender and insist that "womyn-born womyn" is an artificial and exclusionary category created specifically to exclude transsexual women, and as such, has no legitimacy as a subject position. Many Camp Trans supporters see the festival as a symbolic space, one which, as the largest womyn-only space in the United States, sets a precedent for the explicit or implicit exclusion of transgender womyn in other queer and feminist communities and establishments. They view the policy as transphobic.

Much of the debate centers on the concept of privilege. While many supporters of the WBW policy argue that transgender womyn have experienced male privilege at some point in their lives, opponents insist that this viewpoint fails to recognize the oppression that transgender individuals face and the privilege that non-transgender people have in avoiding this oppression. In recent years, the controversy over the policy has also come to include debate about the presence of transmen in womyn-only space and lesbian communities.

[edit] History

Camp Trans was sparked by a 1991 incident in which a woman named Nancy Burkholder was ejected from the festival after her transsexual status became known to festival security guards. Although the festival has maintained a womyn-born-womyn policy since its inception, as evidenced by posters from the first festival in 1975, the 1991 incident falsely led to the belief that the policy was only articulated as a means of preventing transsexual women from attending. Every year afterwards a group of trans and non trans women protested the exclusion of trans women from the event. Initially these protests were small affairs. For the first few years they were actually carried on inside the camp. A significant incident occurred in 1993 when a number of SM women approached the protesters to offer their services as security.

In 1994, Riki Ann Wilchins pressured some of the original group of protesters to give her a leadership role in organizing the event. A more organized group of transwomen and their allies began camping and holding demonstrations outside the gate. After a five year-hiatus, Camp Trans returned in 1999, led by transgender activists Riki Ann Wilchins and Leslie Feinberg, as well as many members of the Boston and Chicago Lesbian Avengers. The events of this year drew much attention and controversy, culminating in heated tensions as a small group of transgender activists were admitted into the festival to exchange dialogue with organizers and to negotiate a short-lived compromise allowing only post-operative transgender womyn on the festival land.

Over the next three years, Camp Trans leadership shifted to members of the Chicago queer community, and the demographics of the camp changed to include many more transgender men and genderqueer-identified individuals. Few transwomen attended during this period, as festival attendees increasingly came to view Camp Trans as a transgender annex of the festival, rather than a site of protest, and the camp itself did little to dispel this myth. In 2003, yet another group of activists from the online messageboard strap-on.org took over the planning, with the goal of refocusing the camp's mission on protesting the festival's exclusion of transgender womyn. This group, many of whom were involved in outreach campaigns to musical artists associated with the festival, sought to create a broader community that is more welcoming to transgender womyn.

Camp Trans has, in recent years, become somewhat of a Mecca for the nationwide queer community, and has spurred the careers of a few famous queer celebrities and academics such as the aforementioned Riki Ann Wilchins. The camp has moved to a large swath of national forest land down the road from the festival and attracts close to 200 people each year. Attendees participate in direct actions and outreach to the festival-goers (or "festies") as well as workshops, games, dances and performances. They mostly spend the week living out of tents in the woods and eating communal meals by the campfire, as lesbian folk music echoes in the forest.

[edit] Successes

In 2006, a member of Camp Trans identified herself as a transwoman and was sold a ticket to MWMF. The events surrounding her ticket purchase were discussed on the MWMF and Strap-On message boards.[1][2][3]

While many within Camp Trans are counting this as a victory and claiming that MWMF now accepts out transwomen, other transwomen have purchased tickets in years past, as well as worked at MWMF either as performers or workers. A stealth musician who had transitioned 10 years earlier performed in the early 1980's. In 1999, during that year's Camp Trans event, a number of transwomen purchased tickets and were admitted to MWMF. A similar claim of victory was published by Camp Trans that year. In 2002 a transwoman applied for, and was accepted as a worker. Her name can be found in the 2002 program under the crew she worked for.

However it was later revealed that MWMF has not changed their policy. They have stated again that the festival is intended for women-born-women, and that they hope and expect transwomen to respect that intention. [4]

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