Callejeros
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Callejeros (in Spanish, "Streetwise") is an Argentine rock band that gained notoriety when the nightclub where they were playing, República Cromagnon, was set on fire during one of its shows, killing 194 attendees, in 2004. [1]
The band have defined themselves as a rock and roll band and diversity of rates but with its own style. Callejeros has acknowledged musical influences: direct ones from Chuck Berry, The Rolling Stones, Creedence and The Beatles, but also from Pink Floyd, León Gieco, Bob Marley, AC/DC, etc.
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[edit] History
The band was formed in mid-1995 by a group of young people of Villa Celina, Greater Buenos Aires. They were known initially as Río Verde ("Green River") and mostly played covers of Chuck Berry, Creedence Clearwater Revival and The Rolling Stones. At the end of 1996 the band changed its lineup and recruited new members. Given the extensive change to the original group, in January 1997, they changed their name to Callejeros. A new guitarist and a saxophonist came into the band between late 1999 and early 2000, and it is with this lineup that Callejeros recorded the three albums it has released to date.
In 2001 they recorded their first album, Sed ("Thirst"), in which they followed the rock format they had kept for years, but with the participation of sax player Juan Carbone, former member of Viejas locas. A single came out of this album, Vicioso, jugador y mujeriego, and a video was made for it, but did not see much TV airtime.
Their second album, Presión ("Pressure"), also self-released, came out in 2003. It was premiered with a show at the Atlanta football stadium in Buenos Aires and it included fourteen songs, ranging in style from tango, ballad, rhythms of candombe (black music from Uruguay) and Latin rock up to classic rock'n'roll. This record made their name known in almost all the country and, at some degree, in Latin America. Not long after the release of the album the first single, Una nueva noche fría ("A New Cold Night"), was aired on radio and music TV stations during several months.
After playing at the Obras Sanitarias Stadium, known in Buenos Aires as the "temple of rock", in 2004, it seemed as if the band would reach far, because of the growth in such a short time. In a 6 months' span they went from drawing 1,000 people or less to play in 5,000 capacity arenas.
In late 2004 they released their third album, Rocanroles sin destino ("Rock'n'rolls Without a Destiny"). It did not had the "power" of previous albums, but more attention went into describing themselves, their lives, their career as musicians and the conflicts that fame brings. The album was played live twice: first, in Córdoba, before 10,000 people, and then, in the Excursionistas football stadium with an audience of almost 15,000 people.
[edit] The República Cromagnon fire
The night of December 30, 2004, the band was playing a concert at the club República Cromagnon, when a flare set the roof on fire. The club was crowded and the emergency exits had been (illegally) shut off. The fire spread and eventually killed 194 people, mostly due to burning of the respiratory tract and inhalation of carbon monoxide. Among the dead spectators were relatives of several band members, as well as the band manager's wife and the lead singer's girlfriend.
The band was investigated by justice regarding their responsibility in the tragedy, since it was well-known that the public in their shows commonly made use of pyrotechnic devices, though in this case Callejeros had asked them not to, to no avail.
[edit] The return
After República Cromagnon, Callejeros did not play for a long time, first due to their own decission, and then because of the opposition of the victims of the fire.
In May 2006 the band released their fourth album, Señales ("Signs"), which sold 20,000 copies on its release day. The band signed a contract with Pelo Music and had both previous albums rereleased (Sed and Presión) by this company.
On 6 July 2006, Callejeros appeared without prior announcement during a concert by the band Jóvenes Pordioseros in El Teatro, a club in Flores. The band had previously agreed not to come up the stage, and the show was suspended by the management of the club. Later, some of the victims' relatives expressed mixed opinions; some claimed that the band "had the right to play" because there was no judicial order to keep them from doing so, while others called it "a mistake" or claimed that "they should be in prison". [2] [3]
[edit] Members
- Pato (Patricio Santos Fontanet): Leading voice
- Dios (Christian Torrejón): Bass
- Elio (Elio Delgado): Guitars
- Maxi (Maximiliano Djerfy): Guitars
- Edu (Eduardo Vázquez): Drums
- Juancho (Juan Carbone): Saxo
[edit] Discography
[edit] Solo x hoy (Demo), 1997
This is a demo made up of 11 songs in cassette format, recorded with a 4-track between the months of July and August of 1997.(Now few copies of the tape exist).
[edit] LADO A
- Durmiendo en la seccional
- Bufón
- Lejos del cielo
- Pichones
- Zapatos muy grandes
- Vivo en mi ilusión
[edit] LADO B
- Botija
- Teatro
- Ancho de espadas
- Milonga Rocanrol
- Rito de Holoalocû
[edit] Callejeros (Demo), 1998
Independent production composed by 13 songs with greater variety of styles. It was recorded and mixed in WC Recording Studio in October of 1998. This work stood out by to have sold more than 600 copies of same between cassettes and the CD.
- Pichones
- Puñales
- No volvieron más
- Brillan los fantasmas
- Armar de nuevo
- Milonga rocanrol
- No somos nadie
- Ancho de espadas
- One after 909 (Lennon-McCartney)
- Lejos del cielo (Folk tradicional)
- Un monarca
- La cuadra
- Brillan los fantasmas (Versión lenta)
[edit] Adelantos (Demo), 2000
As the name says it well (Advances), this he is demo made up of 7 songs that came playing in shows. So that people knew them was made east registry, engraving in one portaestudio of 4 channels during the month of June of 2000.
[edit] LADO A
- Rompiendo espejos
- A tinto regalado
- Palo borracho
- Teatro
[edit] LADO B
- Pensar en nada (León Gieco)
- Los invisibles
- La buena vida
[edit] Sed, 2001
It is made up of 12 songs, of which 4 were in the cassette of Adelantos and 1 comprised of Callejeros, Milonga roncanrol. In addition it is the first registry of the band in where saxo is included. The disc was recorded, mixed and masterized in El Matadero records in October of 2001. It is necessary to emphasize that it was a totally independent production.
- Los invisibles
- Rompiendo espejos
- El nudo
- Milonga del rocanrol
- Jugando
- Vicioso, jugador y mujeriego
- Palo borracho
- Sonando
- Tiempo de estar
- Teatro
- Sed
- Ojalá se los lleve
[edit] Presión, 2003
In March of 2003 it leaves the second production the band, Presión (Pressure), again in totally independent form. Engraving again in the El Matadero records, the disc counts on 14 songs. The cut of this album, una nueva noche fría (a new cold night), sounded in all the radios and its video was spread by many channels of music until principles of January of 2005, considering that had left in August of 2004.
- Otro viento mejor
- Presión
- Tres
- Una nueva noche fría
- Fantasía y realidad
- Morir
- Cristal
- Imposible
- Callejero de Boedo
- Si me cansé
- Ahogados de razón
- Tiempo perdido
- El duende del árbol
- Ilusión
[edit] Rocanroles sin destino, 2004
- Distinto
- Sé que no sé
- Sería una pena
- Algo peor, algo mejor
- Rebelde, agitador y revolucionario
- Un lugar perfecto
- Todo eso
- Prohibido
- Tan perfecto que asusta
- Tratando de olvidar
- Rocanroles sin destino
- La llave
- Parte menor
- Canciones y almas
[edit] Señales, 2006
- Daños
- Puede
- Límites
- Creo
- Frente al río
- Sin paciencia
- Día a día
- Sueño
- Hoy
- 9 de Julio
- Señales
- Desencuentro
[edit] External links
[edit] References
- ^ Clarín, 31 December 2004. Tragedia en un boliche de Once: más de 175 muertos y 102 heridos en estado crítico.
- ^ Clarín, 7 July 2006. Sorpresivamente, Callejeros volvió a tocar y todo terminó en escándalo.
- ^ Clarín, 7 July 2006. La vuelta de Callejeros generó apoyo y repudio entre familiares de las víctimas de Cromañón.