Buddhist chant

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A Buddhist chant is a form of musical verse or incantation, in some ways analogous to Hindu or Christian religious recitations. They exist in just about every part of the Buddhist world, from the Wats in Thailand to the Tibetan Buddhist temples of India (re: Tibetan Government in Exile). Almost every Buddhist school has some tradition of chanting associated with it, regardless of being Theravada or Mahayana.

Contents 1 Chanting 1.1 Theravada chants 1.2 Mahayana chants 1.3 Vajrayana chants 2 Adherents 3 See also 4 Notes 5 References 6 External links

[edit] Chanting

In Buddhism, chanting is the traditional means of preparing the mind for meditation; especially as part of formal practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic purposes.

[edit] Theravada chants

In the Theravada tradition, chanting is usually done in Pali, sometimes with vernacular translations interspersed.^[1] Among the most popular Theravada chants^[2] are:

• Buddhabhivadana (Preliminary Reverence for the Buddha)^[3]
• Tisarana (The Three Refuges)^[4]
• Pancasila (The Five Precepts)^[5]
• Buddha Vandana (Salutation to the Buddha)^[6]
• Dhamma Vandana (Salutation to his Teaching)^[7]
• Sangha Vandana (Salutation to his Community of Noble Disciples)^[8]
• Upajjhatthana (The Five Remembrances)^[9]
• Metta Sutta (Discourse on Loving Kindness)^[10]

[edit] Mahayana chants

In the Mahayana tradition, different schools are known for different chants:

• Central to daily Nichiren practice is the chanting of the mantra Nam Myoho Renge Kyo (Homage to the Lotus Sutra).
• Pure Land Buddhists chant daily the nembutsu, Namu Amida Butsu (Homage to Amida Buddha).
• Popular with Zen, Shingon or other Mahayana practitioners is chanting the Prajñāpāramitā Hridaya Sūtra (Heart Sutra).

[edit] Vajrayana chants

In the Vajrayana tradition, chanting is also used as an invocative ritual in order to set one's mind on a deity, Tantric ceremony, mandala, or particular concept one wishes to further in themselves.

For Vajrayana practitioners, the chant Om Mani Padme Hum is very popular around the world as both a praise of peace and the primary mantra of Avalokitesvara. Other popular chants include those of Tara, Bhaisajyaguru, and Amitabha.

[edit] Adherents

Chanting plays a more substantial role in Mahayana and Vajrayana Buddhism than in Theravada, owing largely to the expansive and religious nature of the former pair as well as the simplicity of chants (e.g Namo Amitabha does not require much memory, nor does Om mani padme hum). This does not mean chanting does not occur in Theravada practise. Rather most chanting concerns the Suttas (Skt: Sutras), while the Mahayana schools include sutras, prayers, and Tantric invocations, the latter two of which are not common (if present at all) amongst Theravadins.

There are also a number of New Age and experimental schools related to Buddhist thought which practise chanting, some with understanding of the words, others merely based on repetition. A large number of these schools tend to be syncretic and incorporate Hindu japa and other such traditions alongside the Buddhist influences.

While not strictly a variation of Buddhist chanting in itself, Japanese Shigin (詩吟) is a form of chanted poetry that reflects several principles of Zen Buddhism. It is sung in the seiza position, and participants are encouraged to sing from the gut - the Zen locus of power. Shigin and related practices are often sung at Buddhist ceremonies and quasi-religious gatherings in Japan.

[edit] See also

Householder (Buddhism)

[edit] Notes

1. ^ Khantipalo (1982, 1995).
2. ^ Khantipalo (1982, 1995).
3. ^ For an example of Pali text and an English translation of this chant, see Indaratana (2002), pp. 1-2. To listen to this being chanted in Pali by Venerable Indaratana Maha Thera, go to http://www.buddhanet.net/filelib/mp3/02-chant-02.mp3.
4. ^ Ibid., pp. 1-2. Audio file at http://www.buddhanet.net/filelib/mp3/03-chant-03.mp3
5. ^ Ibid., pp. 1-2. Audio file at http://www.buddhanet.net/filelib/mp3/04-chant-04.mp3
6. ^ Ibid., pp. 3-4. Audio file at http://www.buddhanet.net/filelib/mp3/05-chant-05.mp3
7. ^ Ibid., pp. 5-6. Audio file at http://www.buddhanet.net/filelib/mp3/06-chant-06.mp3
8. ^ Ibid., pp. 7-8. Audio file at http://www.buddhanet.net/filelib/mp3/07-chant-07.mp3
9. ^ For the text, see Thanisaro (1997).
10. ^ For a bilingual edition, see, for instance, Indaratana (2002), pp. 32-34. To listen to this being chanted by the Abhayagiri Sangha in English, go to http://www.abhayagiri.org/index.php/main/medium/379/.

[edit] References

• Indaratana Maha Thera, Elgiriye (2002). Vandana: The Album of Pali Devotional Chanting and Hymns. Penang, Malaysia:Mahindarama Dhamma Publication. Available on-line at: http://www.buddhanet.net/pdf_file/vandana02.pdf.
• Khantipalo, Bhikkhu (1982). Lay Buddhist Practice: The Shrine Room, Uposatha Day, Rains Residence (The Wheel No. 206/207). Kandy, Sri Lanka:Buddhist Publication Society. Also transcribed (1995) and available on-line at: http://www.accesstoinsight.org/lib/authors/khantipalo/wheel206.html.
• Thanissaro Bhikkhu (trans.) (1997). AN 5.57, Upajjhatthana Sutta: Subjects for Contemplation. Available on-line at: http://www.accesstoinsight.org/tipitaka/an/an05/an05.057.than.html.

[edit] External links

• "Buddhist Chanting" at BuddhaNet Audio.
• "A Chanting Guide", by The Dhammayut Order in the United States of America.
• "Chanting with English translations and Temple Rules", chant book of the Kwan Um School of Zen.
• "Perceive Universal Sound", article on Zen chanting by Korean Zen Master Seung Sahn, originally published in "The American Theosophist" (May 1985) and reprinted in "Primary Point," Vol. 5, No. 3 (November 1988).

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