Berenice (short story)
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"Berenice" is a short horror story by Edgar Allan Poe, first published in the Southern Literary Messenger in 1835.
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[edit] Summary
The narrator, Egaeus, is a studious young man who lives in a large gloomy mansion with his cousin Berenice. He suffers from a type of obsessive disorder, a monomania that makes him fixate on objects. She, originally beautiful, suffers from some unspecified degenerative illness, with periods of catalepsy a particular symptom, which he refers to as a trance. Nevertheless, they are due to be married. One afternoon, Egaeus sees Berenice, and when she smiles, he focuses on her teeth. His obsession grips him, and for days he drifts in and out of awareness, constantly thinking about the teeth. At one point a servant tells him that Berenice has died and been buried. When he next becomes aware, with an inexplicable terror, he finds a lamp and a small box in front of him. Another servant enters, reporting that a grave has been violated, and a shrouded disfigured body found, still alive. Egaeus finds his clothes are covered in mud and blood, and opens the box to find it contains dental instruments and "thirty-two small, white and ivory-looking substances" - Berenice's teeth.
The Latin epigraph at the head of the text may be translated as: "My companion said I might find some alleviation of my misery in visiting the grave of my beloved."
[edit] Publication history
First published in the Southern Literary Messenger in March of 1835, public outcry led to an edited version being published in 1840. Poe says in a letter to the editor of the Southern Literary Messenger on April 30, 1835: "I allow that it approaches the very verge of bad taste -- but I will not sin quite so egregiously again."
[edit] Analysis
Sigmund Freud would immediately point out the importance of teeth in Berenice. In Freudian terms, the removal of teeth can be a symbol of castration, possibly as punishment for masturbation. Another interpretation is thinking of the teeth as protection for an entrance to the wife's body, another sexual connotation.
The story is also one of Poe's most violent. As the narrator looks at the box which he may subconsciously know contains his wife's teeth, he asks himself, "Why... did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?" Though Poe does not actually include the scene where the teeth are pulled out, it is very clear what happened. The reader also knows that Egaeus was in a trance-like state at the time, incapable of responding to evidence that his wife was still alive as he committed the gruesome act. Additionally, the story emphasizes that all 32 of her teeth were removed.
Incidentally, this is one of the few Poe stories whose narrator is named.
[edit] Themes
Several oft-repeated themes in Poe's works are found in this story:
- The death of a beautiful woman (see also The Fall of the House of Usher, Ligeia, Morella, The Oval Portrait)
- Being buried alive (see also The Cask of Amontillado, The Fall of the House of Usher, The Premature Burial)
- Mental illness (see also The Fall of the House of Usher, The Tell-Tale Heart)
- Catalepsy (see also The Premature Burial)
[edit] Adaptations
The 1995 computer game The Dark Eye contained reenactments of selected stories by Poe. One of them was based on "Berenice" and allowed the player to experience the story from the alternating points of view of both Egaeus and Berenice.
[edit] External links
- "Berenice" - Full Text of the first printing, from the Southern Literary Messenger, 1835
- Full Text at Wikisource
| Edgar Allan Poe |
|---|
| Poems |
| Poetry (1824) • O, Tempora! O, Mores! (1825) • Song (1827) • Imitation (1827) • Spirits of the Dead (1827) • A Dream (1827) • Stanzas (1827) • Tamerlane (1827) • The Lake (1827) • Evening Star (1827) • Dreams (1827) • To Margaret (1827) • The Happiest Day (1827) • To the River (1828) • Romance (1829) • Fairyland (1829) • To Science (1829) • To Isaac Lea (1829) • Al Aaraaf (1829) • An Acrostic (1829) • Elizabeth (1829) • To Helen (1831) • A Paean (1831) • The Sleeper (1831) • The City in the Sea (1831) • The Valley of Unrest (1831) • Israfel (1831) • The Coliseum (1833) • Enigma (1833) • Fanny (1833) • Hymn (1833) • Serenade (1833) • Song of Triumph from Epimanes (1833) • Latin Hymn (1833) • To One in Paradise (1833) • To Frances (1835) • Politician (1835) • May Queen Ode (1836) • Spiritual Song (1836) • Bridal Ballad (1837) • To Zante (1837) • The Haunted Palace (1839) • Silence, a Sonnet (1839) • Lines on Joe Locke (1843) • The Conqueror Worm (1843) • Lenore (1843) • Eulalie (1843) • A Campaign Song (1844) • Dream-Land (1844) • Impromptu. To Kate Carol (1845) • The Devine Right of Kings (1845) • Epigram for Wall Street (1845) • The Raven (1845) • A Valentine (1846) • Beloved Physician (1847) • An Enigma (1847) • Deep in Earth (1847) • Ulalume (1847) • Lines on Ale (1848) • To Marie Louise (1848) • Evangeline (1848) • Eldorado (1849) • For Annie (1849) • The Bells (1849) • Annabel Lee (1849) • A Dream Within A Dream (1850) • Alone (1875) |
| Tales |
| Metzengerstein (1832) • The Duc De L'Omelette (1832) • A Tale of Jerusalem (1832) • Loss of Breath (1832) • Bon-Bon (1832) • MS. Found in a Bottle (1833) • The Assignation (1834) • Berenice (1835) • Morella (1835) • Lionizing (1835) • Hans Phaall (1835) • King Pest (1835) • Shadow - A Parable (1835) • Four Beasts in One - The Homo-Cameleopard (1836) • The Narrative of Arthur Gordon Pym of Nantucket (1837) • Mystification (1837) • Silence - A Fable (1837) • Ligeia (1838) • How to Write a Blackwood Article (1838) • A Predicament (1838) • The Devil in the Belfry (1839) • The Man That Was Used Up (1839) • The Fall of the House of Usher (1839) • William Wilson (1839) • The Conversation of Eiros and Charmion (1839) • Why the Little Frenchman Wears His Hand in a Sling (1840) • The Business Man (1840) • The Man of the Crowd (1840) • The Murders in the Rue Morgue (1841) • A Descent into the Maelstrom (1841) • The Island of the Fay (1841) • The Colloquy of Monos and Una (1841) • Never Bet the Devil Your Head (1841) • Eleonora (1841) • Three Sundays in a Week (1841) • The Oval Portrait (1842) • The Masque of the Red Death (1842) • The Landscape Garden (1842) • The Mystery of Marie Roget (1842) • The Pit and the Pendulum (1842) • The Tell-Tale Heart (1843) • The Gold-Bug (1843) • The Black Cat (1843) • Diddling (1843) • Morning on the Wissahiccon (1844) • The Spectacles (1844) • A Tale of the Ragged Mountains (1844) • The Balloon-Hoax (1844) • The Premature Burial (1844) • Mesmeric Revelation (1844) • The Oblong Box (1844) • The Angel of the Odd (1844) • Thou Art the Man (1844) • The Literary Life of Thingum Bob, Esq. (1844) • The Purloined Letter (1845) • The Thousand-and-Second Tale of Scheherazade (1845) • Some Words with a Mummy (1845) • The Power of Words (1845) • The Imp of the Perverse (1845) • The System of Dr. Tar and Prof. Fether (1845) • The Facts in the Case of M. Valdemar (1845) • The Sphinx (1846) • The Cask of Amontillado (1846) • The Domain of Arnheim (1847) • Mellonta Tauta (1849) • Hop-Frog (1849) • Von Kempelen and His Discovery (1849) • X-ing a Paragrab (1849) • Landor's Cottage (1849) |
