Band of Gypsys
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Band of Gypsys | ||
Live album by Jimi Hendrix | ||
Released | April 1970 | |
Recorded | January 1, 1970 at the Fillmore East | |
Genre | Psychedelic rock, Funk-rock | |
Length | 45:16 | |
Label | MCA | |
Producer(s) | Heaven Research | |
Professional reviews | ||
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Jimi Hendrix chronology | ||
Electric Ladyland (1968) |
Band of Gypsys (1970) |
First Rays of the New Rising Sun (1997) |
Band of Gypsys is a live album by Jimi Hendrix. Released before his death in 1970, it was the last album Hendrix himself authorized, and the only Hendrix album to be released on Capitol Records—the result of a settlement regarding a forgotten recording contract he had signed in 1965 before he became famous. Band of Gypsys is now issued on MCA Records, along with the rest of his catalog.
After The Jimi Hendrix Experience broke up in mid-1969, Hendrix played with a line-up he called Gypsy Sun and Rainbows at Woodstock. Bassist Billy Cox was already playing on that line-up. The band was short-lived, and was turned to a Band of Gypsys with his drummer friend Buddy Miles. The name "Band of Gypsys" was already mentioned as an alternative name for his band by Hendrix in his speeches during the Woodstock concert. Searching his musical direction he began to work with Buddy. In the beginning there were three percussionists, but that was scratched because of the jumbled sound. They recorded some studio material, some of which has been posthumously released, and made their live debut at the Fillmore East on New Year's Eve 1969 for a series of four shows, spread over two days. The Fillmore East show is supposed to be the definitive version of "Who Knows" and "Machine Gun."
The Fillmore East concert features Hendrix in his element and in peak form, and the songs Hendrix selected for the Band of Gypsys release highlighted new material. The fact that these songs were never properly released as studio versions elevates the significance of this album. (Studio versions of "Message to Love" and "Power of Soul" are available on some posthumous releases.) Specifically, the version of "Machine Gun" from this show is widely regarded as one of the greatest rock guitar performances. Its long, intricate guitar solo and percussive riffs decend into a sonic assault of controlled feedback to similuate the sounds and frenzy of a battlefield: helicopters, dropping bombs, explosions, and machine guns. Yet Hendrix always maintains the melodic center of the song and impeccable tone.
Hendrix selected two Buddy Miles songs for the album as a kind of "sorry" for the break-up of the band. "We Gotta Live Together" is heavily edited for the album. Its original length is about twice of what can be heard on the album (before moving to that song the band seems to play a riff that is taken from Sly and the Family Stone's "Sing a Simple Song"). The full version can be heard on the 2-disc Live at the Fillmore East album.
Due to the demands of four sets over two days, the band faced a lack of material. So, Hendrix did rely on Experience-era favorites "Wild Thing," "Hey Joe," "Purple Haze, "Voodoo Child (Slight Return)," "Foxey Lady," "Fire," and "Stone Free" to fill out the sets. In fact, nearing the end of the 4th set, Hendrix said, "We're just trying to figure out something to play, but we only know about six songs right now...seven...nine." He then launched into a blistering version of "Voodoo Child (Slight Return)." Hendrix was energized by his new bandmates, which infused new life into these Experience-era classics not included on this album. ("Foxey Lady" was included on the Japanese/German release (details below). Further, "Wild Thing," "Voodoo Child (Slight Return)" and "Stone Free" can be heard on the widely available Live at the Filimore East 2-disc set.)
After a shambolic show at Madison Square Garden on January 28, Band of Gypsys was disbanded. With Experience member Mitch Mitchell on drums and Billy Cox on bass, The Jimi Hendrix Experience was reformed and for the next several months would work on Hendrix's next album, projected to be a double (or even triple) album until the leader's tragic death that September. He had also been due to work with jazz composer and Miles Davis collaborator Gil Evans.
Produced by Hendrix (as "Heaven Research"), Band of Gypsys reached #5 in the U.S. and UK and became one of the artist's best-selling albums.
Band of Gypsys is also the name of a documentary concerning the album and Hendrix's performances at the Fillmore during New Year's Eve 1969, and New Year's Day 1970.
Contents |
[edit] Songs played on concerts
The recordings included on Band of Gypsys featured selections from the final two shows, which were performed on the evening of January 1, 1970. The set lists for these two shows are as follows with asterisk indicating inclusion on the Band of Gypsys album:
January 1, 1970 (3rd Fillmore East set)
- Who Knows*
- Machine Gun*
- Changes
- Power of Soul
- Stepping Stone
- Foxey Lady
- Stop
- Hear My Train A-Comin
- Earth Blues
- Burning Desire
January 1, 1970 (4th Fillmore East set)
- Stone Free / Little Drummer Boy
- Changes*
- Power of Soul*
- Message to Love*
- Earth Blues
- Machine Gun
- Voodoo Child (Slight Return)
- We Gotta Live Together*
- Wild Thing
- Hey Joe
- Purple Haze
[edit] Track listing
All tracks written by Jimi Hendrix except where noted.
- "Who Knows" – 9:32
- "Machine Gun" – 12:32
- "Changes" (Buddy Miles) – 5:10
- "Power of Love" – 6:53 (sometimes mislabeled as "Power to Love")
- "Message to Love" – 5:22
- "We Gotta Live Together" (Buddy Miles) – 5:46
The German/Japanese release contained these bonus tracks.
- "Hear My Train A Comin'" – 9:02 (Third Set)
- "Foxy Lady" – 6:33 (Third Set)
- "Stop" (Howard Tate) – 4:47 (First Set)
[edit] Credits
- Billy Cox – bass guitar
- Jimi Hendrix – electric guitar, vocals
- Buddy Miles – drums, vocals
[edit] Personnel – Production
- Jan Blom – album cover photography
- Heaven Research – producer
- Wally Heider – engineer
- Robert Herman – photography
- Eddie Kramer – engineer, mixing, mastering, remastering, remixing
- George Marino – remastering
- John McDermott – liner notes
- Joseph Sia – photography
- Album cover designed by Victor Kahn