Béla Tarr

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Béla Tarr (born July 21, 1955 in Pécs, Hungary) is a Hungarian film director and screenwriter. Image:Http://www.horschamp.qc.ca/images/photos/tarr.jpg

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[edit] Early life and career

He began to realize his interests with film-making at the age of 16 by making amateur films and later working as a caretaker at a national House for Culture and Recreation. His amateur work brought him to the attention of the Bela Balazs Studios (named in honor of the Hungarian cinema theorist, Béla Balázs), which helped fund Tarr's 1979 feature debut Családi tűzfészek (Family Nest), a work of harsh socialist realism. Many critics thought they detected in the film an influence from the directorial work of John Cassavetes, though Tarr denied having seen any of Cassavetes's films prior to shooting Családi tűzfészek .

The 1981 piece Szabadgyalog (The Outsider) and the following year's Panelkapcsolat (The Prefab People) continued in much the same vein, but with a 1982 television adaptation of Macbeth, his work began to change dramatically; comprised of only two shots, the first shot (before the main title) was five minutes long, with the second 57 minutes in length. Not only did Tarr's visual sensibility move from raw close-ups to more abstract mediums and long shots, but also his philosophical sensibility shifted from grim realism to a more metaphysical outlook similar to that of Andrei Tarkovsky.

[edit] Collaboration and international acclaim

After 1984's Őszi almanach (Almanac of Fall), Tarr (who had written his first four features alone) began collaborating with Hungarian novelist László Krasznahorkai for 1987's Kárhozat (Damnation). A planned adaptation of Krasznahorkai's epic novel Satantango took over seven years to realize. The film, a 415-minute masterpiece, finally appeared to international acclaim in 1994. After the epic he released a 35-minute film Journey on the Plain in 1995 and fell into silence until his most recent work to date, the 2000 film Werckmeister Harmóniák (Werckmeister Harmonies), occasionally shot in very intense circumstances. The film itself was very warmly welcomed by critics and the Festival circuit in general.

Many if not most of the shots in these later films are up to eleven minutes long. It may take months to do a single shot. The camera swoops, glides, and soars. It circles the characters, it moves from scene to scene. It may, as in "Satantango," travel with a herd of cows around a village, or follow the nocturnal peregrinations of an obese agoraphobic drunk who is forced to leave his house because he's run out of booze.

At the moment he is filming his first film in 5 years, The Man From London and it was scheduled to be released at the 2005 Cannes Film Festival in May, but production was shut down because of the suicide of producer Humbert Balsan on February 10, 2005 and disputes arose with the other producers over a possible change in the film's financing.[1]

For many years, none of his work was available on DVD. But recently, Werckmeister Harmonies and Damnation have been made available on a two-disc DVD in Europe, courtesy of Artificial Eye. Both films are now available in North America on separate DVDs from Facets Video. Tarr's early works; Family Nest, The Outsider, and The Prefab People; are also available on DVD in the USA, courtesy of Facets. Facets was supposed to release Satantango on DVD on November 28th, 2006, but it has been delayed with no new release date. ""Artificial Eye"" released the film on November 14th, 2006. A review of the DVD has been posted on DVDBeaver.com

[edit] External links

[edit] References

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