Autobiographical novel
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An autobiographical novel is a novel based on the life of the author. The literary technique is distinguished from an autobiography or memoir by the stipulation of being fiction. Names and locations are often changed and events are recreated to make them more dramatic but the story still bears a close resemblance to that of the author.
While the events of the author's life are recounted, there is no pretense of neutrality or even exact truth. Events may be reported the way the author wishes they had been with enemies more clearly loathsome and triumphs more complete than perhaps they actually were.
Because writers somewhat draw on their own experiences in most of their work, the term autobiographical novel is difficult to define. Novels that portray settings and/or situations with which the author is familiar are not necessarily autobiographical. Neither are novels that include aspects drawn from the author’s life as minor plot details. To be considered an autobiographical by most standards, there must be a protagonist modeled after the author and a central plotline that mirrors events in his or her life.
Novels that do not fully meet these requirements or are further distanced from true events are sometimes called semi-autobiographical novels.
Many first novels, as well as novels about intense, private experiences such as war, family conflict or sex, are written as autobiographical novels.
Some works openly refer to themselves as 'non fiction novels.' The definition of such works remains vague. The term was first widely used in reference to the non-autobiographical 'In Cold Blood' by Truman Capote but has since become associated with a range of works drawing openly from autobiography. A central focus of the non-fiction novel is the development of plot through the means of fictional narrative styles. The emphasis is on the creation of a work that is essentially true, often in the context of an investigation into values or some other aspect of reality. The books Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig and The Tao of Muhammad Ali by Davis Miller open with statements admitting to some fictionalising of events but state they are true 'in essence.'
[edit] Semi-autobiographical novel
Also known as a thinly veiled memoir, a semi-autobiographical novel draws heavily on the experiences of the author's own life for its plot. Authors may opt to write a semi-autobiographical novel rather than a true memoir for a variety of reasons: to protect the privacy of their family, friends, and loved ones; to achieve emotional distance from the subject; or for artistic reasons, such as simplification of plot lines, themes, and other details.
[edit] Notable autobiographical novels
- See also: Category:Autobiographical novels
- James Agee, A Death in the Family (1957)
- Louisa May Alcott, Little Women (1868)
- Isabel Allende, The House of Spirits (1982), includes many elements from her family history (the notions of family and personal identity are closely linked in Latin American culture)
- James Baldwin, Go Tell it on the Mountain (1953)
- J.G. Ballard, Empire of the Sun (1984)
- Saul Bellow, The Adventures of Augie March (1953)
- Charlotte Brontë, Villette (1853)
- Rita Mae Brown, Rubyfruit Jungle (1973)
- Charles Bukowski, Ham on Rye (1982)
- William S. Burroughs, Junkie (1953)
- Samuel Butler, The Way of All Flesh (1903)
- Louis Ferdinand Céline, Journey to the End of the Night (1932), subsequent books as well
- Pat Conroy, The Great Santini (1976)
- Philip K. Dick, VALIS (1981), perhaps the only book that could be considered both an autobiographical novel and a work of science fiction
- Charles Dickens, David Copperfield (1850), also Great Expectations (1860), which has many autobiographical elements but to a lesser extent
- Marguerite Duras, The Lover (1984)
- Ralph Ellison, Invisible Man (1952)
- F. Scott Fitzgerald, This Side of Paradise (1920)
- Graham Greene, The End of the Affair (1951)
- Ernest Hemingway, A Farewell to Arms (1929)
- Thomas Hughes, Tom Brown's School Days (1857)
- James Joyce, A Portrait of the Artist as a Young Man (1916)
- Nikos Kazantzakis, Report to Greco (1961)
- Jack Kerouac, On the Road (1957)
- D.H. Lawrence, Sons and Lovers (1913)
- Jack London, John Barleycorn (1913)
- Fitz Hugh Ludlow, The Hasheesh Eater (1857)
- Somerset Maugham, Of Human Bondage (1915)
- Davis Miller, The Tao of Muhammad Ali (1996), described as a 'non-fiction novel'
- Henry Miller, Tropic of Cancer (1934) and Tropic of Capricorn (1939), highly-colored depictions of his own sex life
- Kenzaburo Oe, A Personal Matter (1964)
- Tim O'Brien, The Things They Carried (1990)
- Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance (1973)
- Sylvia Plath, The Bell Jar (1963)
- Marcel Proust, In Search of Lost Time (1927), aka A Remembrance of Things Past
- Ayn Rand, We, the Living (1936)
- Gertrude Stein, The Autobiography of Alice B. Toklas (1933), a mock autobiography of Stein's secretary and companion purported to be Toklas's views of Stein
- Leo Tolstoy, Childhood (1852), Boyhood (1854), and Youth (1856)
- Elie Wiesel, Night (1958), sometimes considered an autobiographical novel although classified as a memoir by the author
- Jeanette Winterson, Oranges Are Not the Only Fruit (1985)
- Thomas Wolfe, Look Homeward, Angel (1929)
- Tobias Wolff, Old School (2003), loosely based on Wolff's life although more novel than biography
- James A. Michener, The Fires of Spring (1949), semi-autobiographical
- Ian Fleming, Some of the James Bond experiences are based in his own World War II spy missions.