At the Drive-In

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At the Drive-In
At the Drive-In (from left to right): Omar, Tony, Jim, Paul and Cedric
At the Drive-In (from left to right): Omar, Tony, Jim, Paul and Cedric
Background information
Origin El Paso, Texas
Genre(s) Indie
Post-Hardcore
Years active 1993–2001
Label(s) Grand Royal
Associated
acts		 The Mars Volta
Sparta
De Facto
Phantasmagoria
Former members
Cedric Bixler Zavala
Jim Ward
Omar Rodriguez-Lopez
Paul Hinojos
Tony Hajjar

At the Drive-In (ATDI) was an American band from El Paso, Texas from 1993 until 2001.

Contents

[edit] History

Influenced primarily by the likes of Fugazi and Drive Like Jehu as well as their native Texas hardcore scene, At The Drive-in crafted epic, musically complex songs, each one laced with cryptic and strongly metaphorical lyrics. Founded in 1993 by Guitarist Jim Ward and vocalist Cedric Bixler-Zavala, who were at the time members of a punk band called Faus where Jim sang and Cedric played drums but left to pursue music more seriously with some friends. ATD-I's first studio recording was Hell Paso (Western Breed), an EP issued in 1994. They would play their first show on October 15, 1994 at The Loretto Fair with Catch Okra, an El Paso music group, in El Paso, Texas. Much touring would quickly develop a following as intense in loyalty as the band was on stage. The band was also very determined to get shows in their early days, even going to the point where they would pretend to be a polka chapel band to be put on a local television show called "Let's Get Real" in El Paso. At the Drive-In's reputation for energetic live performances outlasted their career, a faint hint captured on various live video recordings. It was this reputation, the release of perhaps their best-known album (Relationship of Command) and their small hit radio single "One Armed Scissor" (which had a music video in circulation on MTV) that contributed largely to the very positive attention they received in the rock press towards the end of their career. Spin Magazine named Relationship of Command one of their top 10 albums of that 2000. The band's first nationally televised performance was on FarmClub, a now defunct television show which aired late at night on the USA network. After that performance they also appeared on Later with Jools Holland, Late Night With Conan O'Brien and The Late Show With David Letterman, performing their single "One Armed Scissor" on national television. According to some sources, At the Drive-In struggled to recreate their intense live experience in the studio. At one point they tried to circumvent this problem by recording their second CD, In/Casino/Out (1998), as a live studio album; this was in contrast to the band's first album Acrobatic Tenement, which, although undoubtedly a hardcore punk album, lacked the energy seen in later works.

Not only notoriously energetic and wild at shows, At the Drive-In were noted by the music press for the afros of Cedric Bixler-Zavala and Omar Rodriguez-Lopez. The hairstyle became synonymous with the pair's image. However, the two have been very vocal about image. Omar said in one interview, "I hate photoshoots, I get so bored. The way I look has nothing to do with the music I make, so who cares if I have big glasses and an afro? People should just put on our CD." [citation needed]

[edit] Breakup

In 2001, at the peak of their popularity and following a world tour, At the Drive-In broke up, initially referring to the split as an "indefinite hiatus."

Cedric Bixler took full responsibility for the breakup for the band, saying repeatedly in interviews that he felt almost as if ATDI were holding him back, and that he didn't want his music to be confined to 'punk' or 'emo' or 'hardcore' - that it should encompass many different genres and be even more progressive, alternative, and "against-the-grain". Bixler and Rodriguez-Lopez had stated that they wanted their next album to sound like Pink Floyd's The Piper at the Gates of Dawn, while the other members of the band were intent on progressing in a more typical rock direction. Following the break-up of ATDI, Omar and Cedric would start The Mars Volta. This project was a departure from their previous work, as it pursued the prog-rock sound that they had been interested in. Meanwhile, the other members of ATDI - Jim Ward, Paul Hinojos, and Tony Hajjar - would continue on to form the band Sparta. Hinojos has since left Sparta to join Bixler and Rodriguez in The Mars Volta (Keeley Davis has since become the new guitarist for Sparta). Both bands have since been very successful in their own right. At the Drive-In's experimental and emotional work made them unique amongst their contemporaries.

[edit] DeFacto

DeFacto (formerly De Facto Carde Dub) was the alias for Cedric Bixler and Omar Rodriguez's reggae/dub side project since the early days of At the Drive-In. Essentially after ATDI shows Cedric would play drums like he had in the El Paso Pussycats, Omar would play Bass as he did when he first joined ATDI, and Ikey on keyboards back in El Paso, Texas (they relocated to Long Beach, CA in 2001). The group's ten-song full-length, Megaton Shotblast, appeared on GSL in late 2001. DeFacto broke up when Jeremy Ward the vocalist (though there was little singing on their albums) and sound engineer died of a drug overdose in 2003.

[edit] Members

[edit] Final Lineup

[edit] Previous

Guitarists

  • Jarrett Wrenn - Guitar on Hell Paso (1994) and Alfaro Vive, Carajo! (1995)
  • Adam Amparan - Guitar on Acrobatic Tenement (1996)
  • Ben Rodriguez -Guitar on El Gran Orgo (1997)

Drummers

  • Bernie Rincon - Drums on Hell Paso (1994)
  • Davy Simmons - Drums on Alfaro Vive, Carajo! (1995)
  • Ryan Sawyer - Drums on Acrobatic Tenement (1996)

Bassists

  • Kenny Hopper - Bass on Hell Paso (1994) and Alfaro Vive, Carajo! (1995)

[edit] Discography

[edit] Studio albums

[edit] EPs

[edit] Singles

[edit] Compilations

[edit] Splits

  • ATDI / Aasee Lake (1998) (Ghetto Defendant/Nerd Rock)
  • ATDI / Sunshine (2000) (Big Wheel Recreation)
  • ATDI / Burning Airlines (2000) (Thick Records)
  • ATDI / The Murder City Devils (2000) (Buddyhead Records)

[edit] See also

[edit] External links

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