Arirang (1926 film)

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Arirang

Na Woon-gyu in Arirang (1926)
Directed by Na Woon-gyu
Produced by Yodo Dorajo
Written by Na Woon-gyu
Starring Na Woon-gyu (Choi Yeong-jin)
Shin Hong-ryeon (Choi Yeong-hee)
Nam Gung-woon (Yun Hyeon-gu)
Joo In-gyu (Oh Gi-ho)
Lee Gyu-seol (Yeong-jin's father)
Distributed by Joseon Kinema Productions
Release date(s) Korea October 1, 1926
Running time (1,599 feet) (9 reels)
Language Korean (Silent)
Budget 15,000 Won
Followed by Arirang geuhu iyagi
IMDb profile
Korean name
Hangul: 아리랑
Hanja: (none)
Revised Romanization: Arirang
McCune-Reischauer: (none)

Arirang is a 1926 Korean film. One of the earliest feature films to be made in the country, it is named after the traditional song Arirang, which audiences were said to sing at the conclusion of the film. The silent, black and white film was written and directed by Na Woon-gyu (1902-1937), and stars Na Woon-gyu, Shin Il-seon and Nam Gung-woon. It depicts life in Japanese-occupied Korea.

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[edit] Plot summary

The film concerns a student, Choi Yeong-jin, who has become mentally ill after being imprisoned and tortured by the Japanese for his involvement in the March 1, 1919 protest against the Japanese occupation. He returns to live with his father and sister, Yeong-hee in their small village home. Yeong-jin's friend, Yun Hyeon-gu, is in love with Yeong-hee. While the villagers are preoccupied with a harvest festival, Oh Gi-ho, a toady for the Japanese police, attempts to rape Yeong-hee. Hyeon-gu fights with Gi-ho, striking and killing him with a sickle. When Yeong-jin regains his sanity, he believes himself to have killed Gi-ho. The film ends with the Japanese police taking Yeong-jin over Arirang hill to return to prison.

[edit] Impact

The premier of the film at Dansung-sa theater in Seoul on October 1, 19261 caused a national sensation, and the film was soon shown throughout the country. Arirang became an extremely influential film in the history of Korean cinema, and started what is known as the "Golden Age of Silent Films" in Korea which continued until about 1935. It was also the first in a line of nationalist, anti-occupation films which ended with the increased repression of the national culture in the mid-1930s.

Na Woon-gyu made two sequels to this film: Arirang geuhu iyagi (1930) and Arirang 3 (1936). Also, IMDB shows that Na Woon-gyu's story for Arirang has been remade at least three times since the 1926 debut of the original. Director Lee Kang-cheon filmed his version of Arirang in 1954, Yu Hyun-mok filmed his in 1968, and most recently, Lee Doo-yong made a version in 2003.

Revered to this day as a masterpiece and milestone in the history of Korean cinema, one of the sites on which the movie was filmed has recently been refashioned into a "Street of Motion Pictures," housing the Arirang Cine Center, Arirang Information Library, a small theme park claiming to be the movie set, a monument in memory of the 100th anniversary of Na Woon-gyu's birth, and an annual film festival.

[edit] Lost status

Along with almost all other Korean films of this era, Na Woon-gyu's Arirang is now considered a lost film. The original nine reels of the film are believed to have been lost during the 1950-1953 Korean War. However, a copy of the film was rumored to be in the possession of Japanese collector, Abe Yoshishige, who died in February of 2005. His collection of approximately 50,000 films reverted to the Japanese government with his death, however no news has yet come forth as to whether the film was found in the collection.

[edit] Footnotes

  • Note 1: Lee Young-il. The History of Korean Cinema. p.43.

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