Architecture of Africa
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The architecture of Africa, like other aspects of the culture of Africa, is exceptionally diverse. Many ethno-linguistic groups throughout the history of Africa have had their own architectural traditions. In some cases, broader styles can be identified, such as the Sahelian architecture of an area of West Africa.
As with most architectural traditions elsewhere, African architecture has been subject to numerous external influences from the earliest periods for which evidence is available. Ancient Egyptian architecture, for example, reveals strong influence from ancient South-west Asian traditions. More recently, Islamic architecture has been the most significant influence on North African architecture, leading to the creation of the Swahili architecture style. Western architecture has also had an impact on coastal areas since the late 15th century, and is now an important source for many larger buildings, particularly in major cities.
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[edit] Early architecture
Probably the most famous class of structures in all Africa, the pyramids of Egypt remain one of the worlds' greatest early architectural achievements, if limited in practical scope and originating from a purely funerary context. Egyptian architectural traditions also saw the rise of vast temple complexes and buildings.
The Nubian pyramids of the first millennium BCE were subsequently influenced by their largely late third millennium BCE predecessors in Egypt. By the Meroitic period, houses were of two rooms, forming large complexes. Notable buildings include the Meroitic Western Palace of Faras, built of sun-dried brick.
Little is known of ancient architecture south and west of the Sahara. The best known building of the period is the fifth or sixth century BC multi-storey tower at Yeha in Ethiopia, believed to have been the capital of D'mt. Harder to date are the monoliths around the Cross River, which they have geometric or human designs. The vast number of Senegambian stone circles also evidence an emerging architecture.
[edit] Medieval architecture
Great Zimbabwe is the largest mediaeval city in sub-Saharan Africa. Great Zimbabwe was constructed and expanded for more than 300 years in a local style that eschewed rectilinearity for flowing curves. Neither the first nor the last of some 300 similar complexes located on the Zimbabwean plateau, Great Zimbabwe is set apart by the terrific scale of its structure. Its most formidable edifice, commonly referred to as the Great Enclosure, has dressed stone walls as high as 36 feet extending approximately 820 feet, making it the largest ancient structure south of the Sahara Desert. Houses within the enclosure were circular and constructed of wattle and daub, with conical thatched roofs.
Ethiopia was home to several architectural styles. Axumite architecture, developed further around Lalibela, saw the apotheosis of monolithic architecture. Tombs and entire churches were carved out of single blocks of rock, in a style which showed the influence of south-western Arabia. Among the most spectacular survivals are the giant stelae, such as the "Tomb of the False Door" in Lalibela. Contemporary houses were one-room stone structures or two-storey roundhouses of sandstone with basalt foundations. The arrival of Portuguese settlers and Jesuit missionaries in the 16th and 17th centuries saw the development of the European-influenced castles of Gondar.
Further south, the growth of Muslim influence, and the development of ports saw the birth of Swahili architecture. An early example is the Palace of Husuni Kubwa lying west of Kilwa, built about 1245. As with many other early Swahili buildings, coral was the main construction material, even the roof consisting of coral on timbers. Contrastingly, the palace at Kilwa was a two-story tower, in a walled enclosure. Other notable structures from the period include the pillar tombs as Malindi and Mnarani in Kenya, and elsewhere, originally built from coral but later from stone. Later examples include Zanzibar's Stone Town, with its famous carved doors, and Kilwa's Great Mosque.
The Islamic conquest of North Africa saw Islamic architecture develop in the region, including such famous structures as the Cairo Citadel.
South of the Sahara, Islamic influence was a major contributing factor to architectural development from the time of the Kingdom of Ghana. At Kumbi Saleh, locals lived in domed huts, but traders had stone houses. Sahelian architecture initially grew from the two cities of Djenné and Timbuktu. The Sanskore Mosque in Timbuktu, constructed from mud on timber, was similar in style to the Great Mosque of Djenné. The rise of kingdoms in the West African coastal region produced architecture which drew instead on indigenous traditions, utilising wood. The famed Benin City, destroyed by the Punitive Expedition, was a large complex of homes in coursed mud, with hipped roofs of shingles or palm leaves. The Palace had a sequence of ceremonial rooms, and was decorated with brass plaques.
Early European colonies developed around the West African coast, building large forts, as can be seen at Elmina Castle, Cape Coast Castle, Christiansborg, Fort Jesus and elsewhere. These were usually plain, with little ornament, but showing more internal creativity at Dixcove Fort. Other embellishments were gradually accreted, with the style inspiring later buildings such as Lamu Fort and the Stone Palace of Kumasi.
Ashanti architecture is perhaps best known from the reconstruction at Kumasi. Its key features are courtyard-based buildings, and walls with striking reliefs in mud plaster brightly painted. An example of a shrine can be seen at Bawjwiasi in Ghana. Four rectangular rooms, constructed from wattle and daub, lie around a courtyard. Animal designs mark the walls, and palm leaves cut to tiered shape provide the roof. The Yoruba surrounded their settlements with massive mud walls. Their buildings had a similar plan to the Ashanti shrines, but with verandahs around the court. The walls were of puddled mud and palm oil.
[edit] Modern architecture
By the late nineteenth century, most buildings reflected the fashionable European eclecticism and pastisched Mediterreanean, or even Northern European, styles. Examples of colonial towns from this era survive at Saint-Louis, Senegal, Grand-Bassam and elsewhere. A few buildings were pre-fabricated in Europe and shipped over for erection. This European tradition continued well into the twentieth century with the construction of European-style manor houses, such as Shiwa Ng'andu in what is now Zambia, or the Boer homesteads in South Africa, and with many town buildings.
The revival of interest in traditional styles can be traced to Cairo in the early 19th century. This had spread to Algiers and Morocco by the early twentieth century, from which time colonial buildings across the continent began to pastiche elements of traditional African architecture, the Jamia Mosque in Nairobi being a typical example. In some cases, architects attempted to mix local and European styles, such as at Bagamoyo.
The impact of modern architecture began to be felt in the 1920s and 1930s. Le Corbusier designed several unbuilt schemes for Algeria, including ones for Nemours and for the reconstruction of Algiers. Elsewhere, Steffen Ahrens was active in South Africa, and Ernst May in Nairobi and Mombasa.
The Italian futurists saw Asmara as an opportunity to build their designs. Planned villages were constructed in Libya and Italian East Africa, including the new town of Tripoli, all utilising modern designs.
After 1945, Maxwell Fry and Jane Drew extended their work on British schools into Ghana, and also designed the University of Ibadan. The reconstruction of Algiers offered more opportunities, with Algiers Cathedral, and universities by Oscar Niemeyer, Kenzo Tange, Zwiefel and Skidmore, Owings and Merrill. But modern architecture in this sense largely remained the preserve of European architects until the 1960s, one notable exception being Le Groupe Transvaal in South Africa, who built homes inspired by Walter Gropius and Le Corbusier.
A number of new cities were built following the end of colonialism, while others were greatly expanded. Perhaps the best known example is that of Abidjan, where the majority of buildings were still designed by high-profile non-African architects. In Yamoussoukro, the Basilica of Our Lady of Peace of Yamoussoukro is an example of a desire for monumentality in these new cities, but Arch 22 in the old Gambian capital of Banjul displays the same bravado.
Experimental designs have also appeared, most notably the Eastgate Centre, Harare in Zimbabwe. With an advanced form of natural air-conditioning, this building was designed to respond precisely to Harare's climate and needs, rather than import less suitable designs. Neo-vernacular architecture continues, for instance with the Great Mosque of Nioro or New Gourna.
Other notable structures of recent years have been some of the world's largest dams. The Aswan High Dam and Akosombo Dam hold back the world's largest reservoirs. In recent years, there has also been renewed bridge building in many nations, while the Trans-Gabon Railway is perhaps the last of the great railways to be constructed.
The Bibliotheca Alexandrina at Shatby, Egypt -- a large airy spacious regional public library, built overlooking the Mediterranean -- completed in 2001 and designed by Snøhetta, in association with Hamza Associates of Cairo, is a good example of a modern granite-cladding construction. A commemoration of the Library of Alexandria, once the largest library in the world but destroyed in antiquity, the new Library's architecture is ultramodern and very non-traditional.
[edit] See also
[edit] References
- Sir Banister Fletcher's A History of Architecture (20th Edition, 1996), Ed Dan Cruickshank
- African Art, Frank Willett
[edit] External links
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