Antonio Visentini

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View of Piazza San Marco in Venice, by Antonio Visentini (1742).
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View of Piazza San Marco in Venice, by Antonio Visentini (1742).

Antonio Visentini (21 November 1688 - 26 June 1782) was an Italian architectural designer, painter and engraver, known for his architectural fantasies and capricci, the author of treatises on perspective and professor at the Venetian Academy. His Osservazioni che servono di continuazione al Trattato di Teofilo Gallacini... (Venice 1771) was intended as a complement and an extension of the tractate against the licencious errors of Baroque architecture that was written by Teofilo Gallacini (1564-1641), but not published until 1767, by the same Venetian publisher, Pasquali, who brought out Visentini's treatise [1]. Visentini's engravings in his Osservazioni illustrate his proposed modifications correcting Baroque architectural details.

Born in Venice, he was a pupil of the widely-travelled Baroque painter Giovanni Antonio Pellegrini, who had painted some decors in English country houses at the beginning of the century. The English connection was easily maintained, for Venice was an essential stop on the Grand Tour. On the Grand Canal, Visentini was commissioned to redesign the façade of Ca’ Mangilli-Valmarana (1740-1751), the seat of the British Resident Joseph Smith. In the 1760s the English architect James Wyatt studied as an architectural draughtsman and painter with Visentini.

Visentini is better known today as the engraver for Canaletto's first great series of Venetian vedute under the title Urbis Venetiarum Prospectus Celebriores ex Antonii Canal. The series commenced around 1728 and by the time it was completed in 1735, thirty-eight etchings and engravings had been printed.

He died in Venice in 1782.

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