Amelia Peabody

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Amelia Peabody Emerson (c. 1852-after 1939) is a fictional character in a series of mystery novels, set in Victorian Egypt and England, written by author Elizabeth Peters. Peabody is married to Egyptologist Radcliffe Emerson and has one biological child, Walter "Ramses" Peabody Emerson, who provides a parallel voice in many of the later books.

Contents

[edit] Biographical sketch

Amelia Peabody is first introduced in the novel Crocodile on the Sandbank, set in 1884. She is the spinster daughter of a reclusive scholar, who left her to deal with practical issues such as shopping and administering the household while he spent time in his office. He nurtured her scholarly interest, while the rest of her immediate family dismissed them both. Following his death, Peabody's devotion to her father is rewarded with her being named sole beneficiary of his substantial fortune of over £500,000 (over £30 million in 2006 values). Partly in order to escape the attention of numerous would-be suitors and relatives begging for money, she embarks on a tour of classical sites, beginning in Italy and moving on to Egypt with the eventual aim of visiting Palestine. While in Rome, she meets her future friend and companion, Evelyn Barton-Forbes (later also to become her sister-in-law). In Egypt, the pair encounters the Emerson brothers, Radcliffe and Walter. Evelyn later marries Walter, and Amelia marries Radcliffe, accepting his proposal by teasing that it was the only way that she could engage in Egyptology without causing a scandal.

Radcliffe is known by his surname, "Emerson", as he hates his first name, which was his mother's maiden name (as he also has no fond feelings for his mother). He refers to Amelia by her first name only when he is annoyed with her.

Peabody's first (and only) child, Walter, was born in 1887. Although it is stated that she was medically unable to have more children, the cause is never fully explained. Walter quickly became known as "Ramses", after Emerson remarked that he was "swarthy as an Egyptian and arrogant as a pharaoh."

[edit] Personality

Amelia's favorite ruin to explore is a pyramid. She usually carries one of her collection of parasols, which she uses as discreet weapons (including a sword-parasol). Her other famous accessory is her belt, later partially replaced with a vest with many pockets. It contains: "Pistol and knife, canteen, bottle of brandy, candle and matches in a waterproof box, notebook and pencil, needle and thread, compass, scissors, first-aid kit and a coil of stout cord (useful for tying up captured enemies)." (He Shall Thunder in the Sky, Chapter 2)

She is extraordinarily stubborn, utterly convinced she is right, addicted to romance (although she denies it vehemently), and much more sentimental than she admits to. She is also deeply in love with her husband, and he with her, to the point that the Victorian "typographical euphemism" of three asterisks is used quite frequently to indicate that they had sex. A favourite expression of hers is "Another shirt ruined..." because Emerson regularly bursts out of his shirt, either in the course of an adventure or in the throes of passion. The relationship between Amelia and Emerson may best be described as 'Brontean'; the story of the handsome but rough-mannered hero tamed by the right woman plays out according to classic Romantic formula.

Another feature of the novels is the egalitarian theme, with Amelia and her family being very close to the family of their original Egyptian reis (foreman) Abdullah, to the extent that there is a marriage between Amelia's niece and Abdullah's grandson. Following Abdullah's death, Amelia begins to see him in dreams, where he gives her warnings and advice, further illustrating how close they were. Amelia is a proponent of equality between the sexes, and brings up her adopted daughter, Nefret Emerson, accordingly. Amelia also has no patience with "helpless" women who play on their femininity to manipulate others into doing their will. She is a proponent of rational dress, and often refuses to wear a corset. (See Deeds of the Disturber for a notable exception.)

Her name among the Egyptians is "Sitt Hakim", or Lady Doctor.

[edit] Amelia's age

Amelia's age is initially given as 32 in Crocodile on the Sandbank. In a 1994 article, Elizabeth Peters discussed the obstacle this presented:

"If I had intended Crocodile to be the first in a series, I probably wouldn't have been as specific about dates. Not only did Amelia inform the reader of her age (curse her!), but historical events mentioned in the book tied it to a particular year. As the series continued, there was no way I could get around this, or fudge the date of Ramses' birth, or keep him and his parents from aging a year every twelve months."²

According to this timeline, Amelia would be seventy years old in the eighteenth book, Tomb of the Golden Bird. In The Hippopotamus Pool, however, the Introduction contains what is supposed to be an excerpt from "The National Autobiographical Dictionary (45th edition)", in which Amelia herself states that she was her late twenties at the time of her first visit to Egypt. The statement is footnoted, and the footnote provides specific instructions not to question the discrepancy (pp. xii and xvi.). In Seeing a Large Cat, Emerson's age at the time they married is given as 29.

The latest chronological mention of Amelia is in the compendium Amelia Peabody's Egypt, which mentions her taking a souvenir from her visit to Egypt in 1939, as war is looming and she was uncertain that she would ever return. Her age is given as 87, which would be correct according to the original timeline.

[edit] Pronunciation

In an interview with Diane Rehm, Peters discussed the correct pronunciation of "Peabody," which she had intended to be pronounced "pea-buh-dee," not "pea-body."¹ By contrast, in the audio versions of the books—including those recorded by voice actress Barbara Rosenblat, whom Peters has praised for her accurate pronunciation—Amelia's surname is pronounced "pea-body."

The difference in nationality between the Emersons and their creator is sometimes revealed through the use of American terms like "railroad", spelling differences, etc.

[edit] Sources

¹Elizabeth Peters interview on the Diane Rehm Show, May 29, 2001

²"Series Characters: Love 'em or Leave 'em," by Elizabeth Peters, The Writer (v. 107, No. 4, p. 9 - April 1994)

[edit] See also

     
Amelia Peabody Mysteries
v  d  e
Crocodile on the Sandbank | The Curse of the Pharaohs | The Mummy Case | Lion in the Valley | Deeds of the Disturber | The Last Camel Died at Noon | The Snake, the Crocodile, and the Dog | The Hippopotamus Pool | Seeing a Large Cat | The Ape Who Guards the Balance | The Falcon at the Portal | He Shall Thunder in the Sky | Lord of the Silent | The Golden One | Children of the Storm | Guardian of the Horizon | The Serpent on the Crown | Tomb of the Golden Bird
Non-fiction: Amelia Peabody's Egypt: A Compendium 
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