Alto clarinet
From Wikipedia, the free encyclopedia
The alto clarinet is a wind instrument of the clarinet family. It is a transposing instrument usually pitched in the key of E♭, though instruments in F (and in the 19th century, E) have been made. It is sometimes known as a tenor clarinet; this name especially is applied to the instrument in F. In size it lies between the soprano clarinet and the bass clarinet, to which it bears a greater resemblance in that it typically has a straight body (made of Grenadilla wood, or since the 1950s sometimes black plastic), but a curved neck and bell made of metal. In appearance it strongly resembles the basset horn, but usually differs in three respects: it is pitched in E♭, it lacks an extended lower range, and it has a wider bore than most basset horns.
The keys of the alto clarinet are similar to the keys on smaller clarinets, and are played with virtually identical fingerings. The alto clarinet, however, usually has one key not found on most soprano clarinets, which allows it to reach a low (written) E♭. The range of the alto clarinet is from the G♭ in the second octave below middle C (i.e. bottom line of the bass staff) to the middle of the second octave above middle C.
Invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser.[1] It may have been invented independently in America; the Metropolitan Museum of Art has a bassoon-shaped alto clarinet in E♭, cataloged as an "alto clarion", attributed to an anonymous American maker circa 1820.[2] This instrument bears a strong resemblance to the "patent clarions" (bass clarinets) made from about 1810 by George Catlin of Hartford, Connecticut and his apprentices.[3] Later, back in Europe, Adolphe Sax made notable improvements to the alto clarinet.[4]
[edit] Use in musical ensembles
The alto clarinet has not been commonly used in orchestral scoring. (An important exception is Igor Stravinsky's Threni.[5]) It is used mostly in concert bands, where it often doubles other parts such as alto saxophone parts, and in clarinet choirs. A few jazz musicians, Hamiet Bluiett, Vinny Golia, J. D. Parran, and Joe Lovano among them, have made use of the alto clarinet.
[edit] Abandonment in some ensembles
Since at least the late 1940s, there has been discussion over whether the alto clarinet could or should be eliminated from the standard wind band.[6] The arguments usually used include its relatively low volume, unremarkable tone, and the fact that its part is nearly always doubled by other instruments. (One notable exception is an alto clarinet solo in Percy Grainger's famous piece Lincolnshire Posy.) Many junior high school and high school bands have ceased using the instrument for these reasons. When a band must reduce its numbers (to fit into a small space, or when traveling on a limited budget), the alto clarinet seat is usually one of the first to go.
[edit] References
- ^ Rendall, F. Geoffrey (1957). The Clarinet (Second Revised Edition). Ernest Benn, 145-6.
- ^ Libin, Laurence (1995). "Alto Clarion". The Metropolitan Museum of Art Bulletin: 53.
- ^ Eliason, Robert E. (1983). "George Catlin, Hartford Musical Instrument Maker (Part 2)". Journal of the American Musical Instrument Society 9: 21-52.
- ^ Shackleton, Nicholas. "The development of the clarinet". In Lawson (ed.), Colin (1995). The Cambridge Companion to the Clarinet. Cambridge, UK: Cambridge University Press, 32.
- ^ Pauli, Hansjörg (Autumn, 1958). "On Strawinsky's 'Threni'". Tempo New Ser., No. 49.: 16-17+21-33.
- ^ Sawhill, Clarence E. "The Problem of the Alto Clarinet" and Rohner, Traugott. "Shall We Eliminate the Alto Clarinet?". In (1972) Woodwind Anthology. Evanston, IL: The Instrumentalist, 208-212. (Both reprinted from The Instrumentalist, 1948.)
