Alonso Sánchez Coello

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Portrait of Philip II, painted by Sánchez Coello

Alonso Sanchez Coello, (1531/32, Benifairó de les valls, near Valencia - August 8, 1588, Madrid) was the best portrait painter of the Spanish Renaissance and one of the pioneers of the great tradition of Spanish portrait painting.

[edit] Life

Alonso Sánchez Coello spent his childhood in Benifairó de les valls, until the death of his father when he was around ten years old. He was educated in Portugal at his granfather’s home. Coello’s years in Portugal and his family named of Portugese origin made think for long time that he was in fact Portugese. His grandfather (after whom he was named) was at the service of King John III of Portugal who sent the young painter to study with Anthonis Mor (Antonio Moro) in Flanders around 1550. He was under the service of Antoine de Granville, bishop of Arras learning from Mor. While studding in Flanders Coello also spent time copying some of Titian’s works.

In 1552, the painter returned to Lisbon with Anthonis Mor when Charles V commissioned Mor to paint the Portuguese royal family. For a few years, Sánchez Coello remained in Portugal working for the court of the heir to the throne John Manuel. After the prince death, Sánchez Coello moved to the Spanish court of Philip II, having been recommended by the widow of John Manuel, Juana, who was the sister of the Spanish king. In 1555, Sánchez Coello was in Valladolid working for the Spanish court and when Moro left Spain in 1561 Coello replaced his former master as Court Painter.

Sánchez Coello married Louisa Reyaltes in either 1560 or 1561 in Valladolid and they have seven children. Coello’s daughter, Isabel Sánchez (1564- 16120), became a painter. She studied and helped in her father’s workshop. The painter moved with the court to Toledo and finally settled in Madrid in 1561. Coello worked on religious themes for most of the palaces particularly for the Escorial, and larger churches. Philip II had him in high steem and was Godfather of two of his daughters. The painter spent the remainder of his life at the court, becoming a personal favorite of the king and acquiring honors and wealth. Among his disciples are Juan Pantoja de la Cruz and Felipe de Liano. Lope de Vega praised Coello in his work Laurel to Apolo. Alonso Sánchez Coello died in Madrid in August 8, 1588.

[edit] Style

Sánchez Coello was a follower of Titian, and, like him, excelled in portraits and single figures, elaborating the textures of his armours, draperies, and such accessories in a manner so masterly as strongly to influence Velázquez in his treatment of like objects. Fom Mor, Coello learned precision in representation, and from Titian he incorporated Venetian gold tones, generous workmanship, and the use of light on a canvas. Sánchez Coello produced both portraits and religious paintings. The religious works, many of which were created for El Escorial, are conventional and undistinguished. It is for his portraits that he is remembered. They are marked by an ease of pose and execution, a dignity and sobriety of representation, and warmth of coloring. Although influenced by the paintings of both Mor and Titian, these portraits display an original talent and reflect admirably the modesty and formality of the Spanish court. Paintings of Philip II (c. 1580) and Infanta Isabel Clara Eugenia (1571), both in the Prado, Madrid, are two of his finest works. Among his religious painting is the St Sebastian in the church of San Geronimo, also in Madrid.

Sánchez Coello's reputation as a portaitist has been diminished by the innumerable copies and imitations that wrongly bear his name. While his debt to Mor is evident, Sánchez Coello brings distintive qualities to the court portrait, notably a sharp sense of color, a crispness of execution and a heightened realism.

There has not been any biography written on Coello, and many of his works are still confused with those of Sofonisba Anguissola, who paint royal portraits in the same period and Juan Pantoja de la Cruz, Coello’s disciple. In 1990 the Museo del Padro held the exhibition: Sánchez Coello and the Portraiture at the court of Philip II.