Alfred Kreymborg

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Alfred Francis Kreymborg (1883–1966) was an American poet, novelist, playwright, literary editor and anthologist.

Contents 1 Early life and associations 2 1920s 3 1930's and later 4 Other interests 5 Critical views 6 Works 7 References 8 Notes 9 External links

[edit] Early life and associations

He was born in New York City, and he spent most of his life there and in New Jersey. He was an active figure in Greenwich Village and frequented the Liberal Club.^[1]

He was the first literary figure to be included in Alfred Stieglitz's 291 circle^[2], and was briefly associated with the Ferrer Center where Man Ray was studying under Robert Henri. From 1913 to 1914, Kreymborg and Man Ray worked together to bring out ten issues^[3] of the first of Kreymborg's prominent modernist magazines: The Glebe. Ezra Pound — who had heard about The Glebe from Kreymborg's friend John Cournos^[4] — sent Kreymborg the manuscript of Des Imagistes in the summer of 1913^[5] and this famous first anthology of Imagism was published as the fifth issue of The Glebe^[6]

In 1913 Man Ray and Samuel Halpert, another of Henri's students, started an artist's colony in Ridgefield, New Jersey.^[7] This colony was often also referred to as 'Grantwood' and comprised a number of clapboard shacks on a bluff.^[8] Kreymborg moved to Ridgefield and launched Others: A Magazine of the New Verse with Skipwith Cannell, Wallace Stevens, and William Carlos Williams in 1915. Pound had, along with the Des Imagistes poems, written to Kreymborg suggesting that he contact 'old Bull' Williams^[9], that is William Carlos Williams. Williams did not live far from Ridgefield, and he became involved in the magazine. Soon there was a group of artists associated with the magazine. Marianne Moore came to Ridgefield for picnics, and in 1915 Marcel Duchamp moved in.^[10] Regarding Marianne Moore, she was asked in an interview whether Alfred Kreymborg was her American discoverer, to which she replied, "It could be said, perhaps; he did all he could to promote me. Miss Monroe and the Aldingtons had asked me simultaneously to contribute to Poetry and The Egoist in 1915. Alfred Kreymborg was not inhibited. I was a little different from the others. He thought that I might pass as a novelty, I guess."^[11]

1915 also saw the publication of a story in part based on a personal experience. The story was titled 'Edna' and published as Edna: The Girl of the Street; by the Greenwich Village entrepreneur Guido Bruno; the subtitle was Bruno's idea, added without the consent of the author.^[12] John Sumner of the New York Society for the Suppression of Vice raised a stir; there was a court case which led to the Bruno's imprisonment. The attendant morals row drew in George Bernard Shaw and Frank Harris: Harris made an impassioned statement in court defending the publisher.^[13]

Kreymborg was life-long friends with Carl Sandburg, each indepentently choosing to write in free verse. Kreymborg's tone-poems, or 'mushrooms', had seldom made it into print, but in 1916, soon after his move to Ridgefield they were brought out in book form by John Marshall as 'Mushrooms: A Book of Free Forms' and Williams praised them as a "triumph for America".^[14]

Kreymborg spent a year touring the United States, mostly visiting universities, reading his poetry while accompanying himself on a mandolute.

[edit] 1920s

Kreymborg continued to edit Others somewhat erratically until 1919^[15]; he then in June 1921 sailed to Europe^[16] to act as co-editor of Broom, An International Magazine of the Arts (along with Harold Loeb)^[17]. Contributors included Malcolm Cowley, E. E. Cummings, Amy Lowell and Walter de la Mare. The magazine lost money. Kreymborg soon resigned and the magazine ceased publication in 1924.^[18] An ironic anecdote on the status of modernism: Kreymborg arranged for an aspiring artist Fernand Léger to create the artwork for the cover of volume 2, number 4 of Broom^[19][20]. When Broom ceased publication, the original painting was left behind for its next tenants. Original works by Léger from that time period have sold for several million dollars^[21].

Kreymborg's poems appeared in The Dial in 1923.^[22]

In the summer of 1925, Kreymborg was staying in Lake George Village, and happened to meet Paul Rosenfeld who was staying with Stieglitz. In one late night discussion Kreymborg and Rosenfeld lamented the disappearance of various literary magazines, including Broom. Another neighbour, Samuel Ornitz appeared and offered financial backing for an annual book of new writing. Thus Kreymborg and Rosenfeld founded American Caravan, which was to be edited by Lewis Mumford and Van Wyck Brooks.^[23] The Second American Caravan, was edited by Kreymborg, Mumford, and Rosenfeld; it was reviewed the December 1928 issue of The Dial.

1925 also saw the publication of his autobiography Troubador, in which he refers to himself in the third person by the nicknames 'Ollie' and 'Krimmie'. The books also describes his first unsuccessful marriage to a girl called Maude, and then his second marriage to Dorothy ("Dot") Bloom.

[edit] 1930's and later

In 1938 Kreymborg's verse drama for radio The Planets: A Modern Allegory was broadcast by NBC and received such an enthusiastic response from the public that it was repeated a few weeks later.

Kreymborg maintained a long-term connection with Alfred Stieglitz primarily because of Kreymborg's relationship with Hugo Knudsen, who invented some of the early photo-printing processes that Stieglitz utilized. Knudsen and Kreymborg both married sisters Beatrice (Bea) and Dot Bloom (respectively).

[edit] Other interests

He also wrote puppet plays (his most famous being Manikin Minikin and Lima Beans), which he performed with his wife, Dot, while touring the United States.

Kreymborg played chess at a professional standard,^[24] on two occasions he played and lost to Jose Capablanca He drew one game with the U.S. Champion Frank Marshall in the 1911 Masters Tournament, but shortly afterward left the chess world after a stunning defeat by Oscar Chajes, returning to the sport roughly twenty-three years later. He wrote the article 'Chess Reclaims a Devotee', which is well-known in chess circles.^[25]

Kreymborg was very close with "Sandy" Calder.

Due to his knack of "discovering" and publishing some of the most important poets during his time, Kreymborg later became president of the American Society of Composers, Artists, and Performers.

[edit] Critical views

Kreymborg later became a relatively conservative poet, but — according to Julian Symons — "never an interesting one"^[26]

In Namedropping, Richard Elman writes a short chapter about a meeting with Kreymbord in the early 1960s.^[27]

[edit] Works

• Love and Life and Other Studies (1908)
• Apostrophes: A Book of Tributes to Masters of Music (1910)
• Erna Vitek (1914) novel
• Edna: The Girl of the Street (1915) [5] PDF of 1919 edition with G. B. Shaw contribution
• To My Mother 10 Rhythms (1915)
• Mushrooms: A Book of Free Forms (1916) poems, as 1915 Mushrooms 16 Rhythms in Bruno Chap Books
• Others: An Anthology of the New Verse (1916) editor
• Others: An Anthology of the New Verse (1917) editor
• Six Plays for Poem-Mimes (1918)
• Blood of Things: A Second Book of Free Forms (1920)
• Others for 1919: An Anthology of the New Verse (1920)
• Plays for Merry Andrews (1920)
• Less Lonely (1923)
• Puppet Plays (1923)
• Troubadour (1925) autobiography
• Lima Beans. A Scherzo Play in One Act (1925)
• Rocking Chairs and Other Comedies (1925)
• Manikin and Minikin (1925)
• Scarlet and Mellow (1926)
• There's a Moon Tonight (1926) comedy
• The American Caravan (1927), yearbook, editor with Lewis Mumford, Van Wyck Brooks and Paul Rosenfeld, later years also
• Funnybone Alley (1927)
• The Lost Sail, A Cape Cod Diary (1928)
• Alfred Kreymborg (1928) The Pamphlet Poets
• Manhattan Men: Poems and Epitaphs (1929) poems
• Body and Stone: A Song Cycle (1929)
• A History of American Poetry: Our Singing Strength (1929) also later in 1934
• An Anthology of American Poetry Lyric: America 1630 – 1930 (1930) anthology, later editions are supplemented
• Prologue in Hell (1930)
• I'm Not Complaining: A Kaffeeklatsch (1932)
• Little World. 1914 and After (1932)
• I'm No Hero (1933)
• How Do You Do Sir? And Other Short Plays (1934)
• Anthology of One-Act Plays 1937-38 (1938) editor
• The Planets: A Modern Allegory (1938)
• Two New Yorkers (1938) editor Stanley Burnshaw, illustrated by Alexander Kruse
• The Four Apes and Other Fables of Our Day (1939)
• Poetic Drama: An Anthology of Plays in Verse (1941) editor
• Ten American Ballads (1942)
• Selected Poems 1912 to 1944 (1945)
• Man and Shadow: An Allegory (1946) poems
• The Poetry Society of America Anthology (1946) editor with Amy Bonner and others
• No More War: An Ode to Peace (1949)
• No More War and other poems (1950)

[edit] References

• Jay Bochner, 'The Glebe' in American Literary Magazines: The Twentieth Century, edited by Edward E. Chielens (Westport, CT, and London: Greenwood Press, 1992)
• Ruth Brandon, Surreal Lives: The Surrealists 1917 - 1945, Grove Press, 1999. ISBN 0-8021-3727-X.
• Humphrey Carpenter, Geniuses Together: American Writers in Paris in the 1920s, Unwin Hyman, 1987. ISBN 0-04-440067-5.
• Suzanne Churchill 'Making Space for Others: A History of a Modernist Little Magazine' in Journal of Modern Literature, Volume: 22. Issue: 1. 1998
• Benita Eisler, O'Keeffe and Stieglitz: An American Romance, Doubleday, 1991. ISBN 0-14-017094-4.
• Hugh Kenner, The Pound Era, 1971 (Faber and Faber, 1972. ISBN 0-571-10668-4 paperback).
• Christine Stansell, American Moderns: Bohemian New York and the Creation of a New Century, Metropolitan Books, Henry Holt & Co, 2000. ISBN 0-8050-4847-2.
• Symons, Julian, Makers of the New: The Revolution in Literature, 1912–1939, Andre Deutsch, 1987, ISBN 0-233-98007-5

[edit] Notes

[edit] External links

• Chess History Notes with section on Kreymborg including photo
• Another note concerning Kreymorg's return to chess