Alessandro Striggio

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Alessandro Striggio (c.1540 – February 29, 1592) was an Italian composer, instrumentalist and diplomat of the Renaissance. He composed numerous madrigals as well as dramatic music, and by combining the two, became the inventor of madrigal comedy. His son, also named Alessandro Striggio, wrote the libretto for Monteverdi's Orfeo.

[edit] Life

Striggio senior was born in Mantua, evidently to an aristocratic family. Records of his early life are sparse, but he must have gone to Florence as a young man, since he had become well-connected to the Medici by about 1560; in 1567 they sent him on a diplomatic mission to England. Throughout the 1560s Striggio composed numerous intermedi for the Medici, for weddings, visits, and other state occasions. In the 1570s he continued to work for the Medici, but there is some evidence he began to travel away from Florence. He had some connection to the Bavarian court in Munich, and may have gone there on more than one occasion (possibly for the performance of his 40-voice motet Ecce beatam lucem which he wrote for a royal marriage there). He became friends with Vincenzo Galilei, the father of the astronomer, during the 1570s; whether or not he was a member of the Florentine Camerata is uncertain.

During the 1580s he began an association with the Este court in Ferrara. Ferrara was one of Italy's avant-garde centers of musical composition in the 1580s and 1590s, and Striggio composed music in the progressive madrigal style he heard there, evidently commissioned by the Medici. This music unfortunately is lost. In 1586 Striggio moved to Mantua where he remained for the rest of his life, although he retained a close association with the Medici, composing music for them at least as late as 1589.

[edit] Works

Striggio wrote both sacred and secular music, and all his surviving music is vocal, although sometimes with instrumental accompaniment. He published seven books of madrigals, in addition to two versions of his most famous composition, the madrigal comedy Il cicalamento delle donne al bucato et la caccia... ("The gossip of the women at the laundry").

The madrigal comedy, either invented by Striggio or made famous by him, was long considered to be a forerunner of opera, but contemporary musicological scholarship tends to see this as just one of many strands in late 16th century Italian music which adapt prevailing musical forms to dramatic presentation. In the madrigal comedy, there is no acting: the 15 individual madrigals in cicalamento tell a story, but entirely in words and music. Entertainments such as the madrigal comedy were not far different from other musical forms one could see at a contemporary intermedio.

One of his most impressive works, and one of the most impressive achievements in Renaissance polyphony, is his motet Ecce beatam lucem for 40 independent voices, which he wrote for the marriage of a Bavarian duke and which was first performed in Munich in 1568. There is some evidence that he may have had the music for this piece with him on his diplomatic visit to London in 1567, and Thomas Tallis may have seen it and been either inspired or challenged by it, for shortly afterwards Tallis wrote his own 40-voice tour-de-force Spem in alium for Queen Elizabeth. Unlike the setting by Tallis, Striggio specifically indicates for the voices to be doubled by instruments. In the premiere of Striggio's motet the forces included eight flutes, eight violas, eight trombones, harpsichord and theorbo. The motet is a polychoral composition for four choirs, which include sixteen, ten, eight and six voices respectively, all spatially separated.

Striggio was highly influential, as can be seen by the wide distribution of his music in Europe in the late 16th century. His influence was especially large in England; this may have been due in part to his 1567 visit, and also may have been related to the activities of Alfonso Ferrabosco, the Italian madrigalist who was resident in England for most of his life, and helped popularize the Italian style there.

[edit] References and further reading

• Article "Alessandro Striggio", in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
• Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
• Iain Fenlon and Hugh Keyte, 'Early Music' July 1980. Reference in CD liner notes to Spem in Alium by Tallis Scholars, Gimell CDGIM 006.