Talk:Adrian Rollini

From Wikipedia, the free encyclopedia

This article is within the scope of WikiProject Biography. For more information, visit the project page.
??? This article has not yet received a rating on the Project's quality scale. Please rate the article and then leave a short summary here to explain the ratings and/or to identify the strengths and weaknesses of the article. [FAQ]
This article is part of WikiProject Jazz, set up to organize and expand entries on Jazz and related subgenres, as well as other related subjects. If you would like to participate, you can choose to edit the article attached to this page (see Wikipedia:Contributing FAQ for more information).

Unwikified, more an essay than an encyclopedia article. Appears to be a legitimate topic, but has been already deleted once. - Mike Rosoft 20:15, 9 Mar 2005 (UTC)

As said by Mike Rosoft - isn't this a bit more of an opinion than an encyclopedia article? Especially this:

'When we, the inheritors of this music look back through the years, we are fortunate to have been left with so much good music by this great man. Sadly and greatly overlooked, Rollini made huge contributions to the jazz world- being one of the first white musicians to record with black musicians, to go one better and invent instruments, as well as being one of the first saxophonists to really swing. Above all, Adrian Rollini left us with a memorable sound. His playing was inventive, always showing wit and excitement. Upon hearing these records, one immediately hears the joy and pride he took in his craft which transfers positively to the listener, and speaks to us with joy and exuberance. As Tony Watts would say in his 1995 liner notes to the CD, 'Adrian Rollini- Bouncin' in Rhythm,' "Adrian Rollini's music always seemed to have a smile on its face." Listen, won't you?' - Dan